Morning To The Solitary
The tall monk stands
on the cliff pausing
from the patch of garden
that needs
his toil. His hand a
perch
for cold air clawing
at the veins -- but not
with
arthritic ache, solely
affirmation --
and to his love, he whispers
a poem of praise.
Grey gulls skim the grey water
as if to pull strands
of your incandescent hair
from the sea.
White flowers trail the
wind;
how beautifully the hem
of your gown trembles
in these hours before the first
meal of black bread and cheese.
The moon is nothing now
in your presence but sealing
wax
for parchment -- on
which I'd pen
these words if there were spare
calfskin and ink
but they're reserved
for writing holy text.
So here I stand among
the old stones;
and besides the old stones,
the weavers, the potters, the
bellfounders
have known you longer
than I --
but they do not cease
from their daily craft
to watch you rise, arching over
the round
Cragg of Alisa
and loosening your long light
into the salted wave. The
splendor of it
stirring fish and sunken gleam
of treasure floating wild
or tangled still in prayer's
netting,
that of boyhood dreams.
.................................................................................
The Ego To Her Monk
And
so you bring me here
to
witness how:
you live in a hut
built of mud and stone,
you live in a hut
built of mud and stone,
dine
on leaves of kelp
and
water cress floating
among
the rocks of St. Kilda,
taste wild
honey sweet
off a
waxen comb
crafted
by bees humming
their own
Salve Regina,
write
verse with the stray
feather
of goose or duck,
muffle
your ache
with
the moan of seals,
in the waking dawn,
tie your
robes with a cord
of
grape vine,
and
cut your hair
when
it lengthens past
the
ear lobe.
And so
you bring me here
to say
-- as temptress born
from
your grate of bone
I will
perish...
The
turf shall become my tower
into
which I fall
earthen-deep,
my white throat
consumed
by worm and beetle,
its
vessel of vain song
diminished
-- to the masonry
of
seed and loam,
the
slow fade of sin.
And so
you bring me here --
an
obdurate stare, too shocked
to
coax or tremble.
..........................................................
Note-- the lovely image is by 19th century Illustrator,
Emma Florence Harrison.
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